Czech Republic
1979 92 mins
OV Czech
Subtitles : English
“An uncanny trip into an underworld of automatons, stolen hearts and magic. It is in THE NINTH HEART that many of Herz’s aesthetic and thematic obsessions converge — puppetry, poverty, imprisonment and death — illuminated by a parade of golden candelabras and a playful sense of the grotesque.“
– Kier-La Janisse Impoverished prankster student Martin (Ondrej Pavelka) and a world-weary court jester (František Filipovský) might seem like a dubious pair to send off on a deadly quest to save a cursed princess, but that’s exactly what happens when the King gets desperate enough to ask anyone who will go. Saving Princess Adriena (Julie Juristová) from a nefarious rogue astrologer by the name of Count Aldobrini (Juraj Kukura) is the only option the young man has to appease local law enforcement after he makes a foolish mistake. Yet, with eight men already missing, it appears Martin might have given himself a death sentence, all to rescue his friends — including his new girlfriend, a puppeteer called Toncka (Anna Malová) — and himself, from rotting in a jail cell. So it is that the duo travel to Aldobrini’s shadow realm, which is not for the faint of heart, quite literally.
Although director Juraj Herz’s follow-up to
BEAUTY AND THE BEAST (1978) holds all the markers of a traditional fairy tale and was originally commissioned as a children’s film, much like its aforementioned stable mate, the director’s predilection for horror shines through. Aspects of dark fantasy are further enhanced by quirky contraptions and gorgeous art set-pieces crafted by the director’s long-time friend and collaborator, director Jan Svankmajer and his wife Eva, a celebrated surrealist artist in her own right, who did the film’s opening montage. Laced with aspects of folk horror, vampirism, and surreal fairy tale,
THE NINTH HEART represents a rich showcase for Herz’s particular skill in crafting visually decadent, offbeat Gothic fantasy cinema. That the film was made, and funded, by a government regime that had no interest in commercial horror makes it all the more remarkable and subversive. Presented in a new 2K restoration by Národní filmový archiv, courtesy of Severin Films. –
Kat Ellinger